From The Bye Bye Man to Birdemic: Shock and Terror, these are the best "so bad they're good" movies from the 2010s.
While one may not normally assume that there are levels of enjoyment to be achieved from the bottom of the barrel and outright poorly made films, a level of beauty and magic comes from subpar filmmaking. There is a collection of films that fail to achieve their goals in such magnificently fantastic glory that the end product becomes so lackluster that it wraps back around and becomes a marvelous joy to watch unfold.
The friends are now in a never-ending game as they attempt to save each other from their impending doom, while at the same time keeping The Bye Bye Man's existence a secret, to not unleash him upon the entire world.Supernatural horror movies that followed a primary apparition were a big trend in the 2010s, yet The Bye Bye Man is the culmination of the clichés and generic trends that defined the subgenre during the decade.
8 'The Amazing Bulk' The Amazing Bulk follows the story of ambitious young scientist Henry Howard, who miraculously finds himself transforming into the deadly Amazing Bulk after injecting himself with an experimental serum. He soon goes on a rampage throughout the city, placing a massive target on his back from military forces, especially his aggressive soon-to-be father-in-law, General Darwin.
6 'Serenity' Serenity follows the story of Baker Dill, a quiet and self-isolating fishing boat captain who lives on the small desolated Plymouth Island, forever on his hunt against a special elusive tuna fish. As he continues his hunt against the massive tuna, his ex-wife suddenly reenters his life with a proposition to murder her new husband in exchange for cash.
Crime dramas following gangsters and crime families, both fictional and real life, have become a staple of cinematic filmmaking, with some of the greatest films of all time being these mafia flicks. Gotti is a film that, while definitely attempting to be in the same conversation, is nothing but a feature-length compilation of all the clichés, trends, and cheaply copied esthetics of these amazing films. Tied together in a beautifully mismatched soundtrack provided by Mr.
It's all in the performance with The Fanatic, as what could be a genuinely effective thriller about the fears of celebrity-fan culture becomes an unintentional comedy thanks to Travolta's hilarious performance. The film lacks any sort of subtlety and self-awareness, and its story completely derails in the best, most hilarious ways possible. Arguably the strangest part of the film is that it is directed by lead Limp Bizkit member, Fred Durst.
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