The past quarter century’s best TV episodes, from Mad Men and The Sopranos to Succession and beyond.
came at the halfway point of its seven-season run. “The Suitcase,” in which Don and Peggy pull an all-nighter at the office to work on a Samsonite pitch, zooms in on the series’ central relationship to reveal new depths to its otherwise cryptic main characters. Hamm is pitch perfect as a slowly unraveling Don, who has split from Betty , is drinking heavily, and avoiding confronting the news that Anna Draper , one of the only people who knew him as Dick Whitman, has died.
His chemistry with Moss sparkles, particularly in the climatic scene when Peggy, missing her own birthday dinner and unhappy that Don won a prestigious Clio award for her idea, yells that he never thanks her for all her hard work. Don’s reply—“That’s what the money is for!”—might just be the most iconic line from the tour de force that is this show, even finding its way onto Hamm’sduring the SAG-AFTRA strike.
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