Johannes Roberts goes back underwater for the sequel to his 2017 shark-dodging thriller.
Cave diving — that scuba variant in which divers explore long passages and water-filled voids without having a simple path upwards to safety — is so inherently frightening that even a schlocky film like 2011'scan get moviegoers biting their nails pretty easily; sharks are a simpler but equally sure-fire source of terror.
Grant's daughter Mia , a punching bag for the school's resident mean girl , is a social liability for Jennifer's popular daughter Sasha ; friction between the two prompts some "we're family" talk in the first act, pointedly recalling the first picture's theme of sisters relying on each other.
Alexa learned of this spot from one of Grant's fellow researchers — it's connected to part of the archaeological site — and the team left a bunch of scuba gear floating on a raft. So the four girls decide to venture into the first chamber of the site, swimming one lap around the ancient statues before returning to their sunbathing. The film, of course, has other plans.
Realizing that this chamber is connected via some mazelike path — who knows how long — to the site Grant gets to through a different opening, the girls accept that their only hope of escape is to dive deeper into the complex. But taking this uncertain route would be scarier for the viewer if the film weren't so dishonest about oxygen tanks: After their initial, leisurely swim into the cave, each girl's tank had dropped from 100% full to 40%.
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