Why are we having a crisis of faith in a PG-13 Disney-released horror movie?
The Big Picture A Haunting in Venice, the third Kenneth Branagh-directed adaptation of one of Agatha Christie's Hercule Poirot novels, features the iconic detective once again in a funk. Across all three of these movies, Poirot has to be dragged into sleuthing, as he's typically on vacation or in outright retirement. This time, Poirot is finding himself deeply distrustful of the world because of spiritual concerns.
Why Does ‘A Haunting in Venice’ Have Poirot Grappling With God? It makes sense that, after experiencing so many mysteries, Hercule Poirot would be dubious of anything related to spirituality or phenomena that he can’t see. He’s a man of logic, after all, whose whole job requires him to survey seemingly inexplicable scenarios and deduce the logical machinations informing them.
‘A Haunting in Venice’ Doesn't Commit to Its Heavy Material Midway through A Haunting in Venice, Poirot's inevitable confrontation with murder suspect Dr. Leslie Ferrier leads this detective to discover why this doctor is so shell-shocked. Why is this man so overcome with anguish and existing in the shadow of his past? Turns out, Ferrier was on the battle lines of World War II and discovered a concentration camp shortly after the global conflict came to an end.
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