A look back at Cindy Sherman's many, many faces over the decades:
has been photographing herself since the 1970s, and yet the artist has managed to never look the same in front of the camera twice. By 1997, she'd created enough material for MOCA to mount her first major American retrospective, though it wasn't until this summer that Sherman landed the same honor in the U.K.
's new exhibition now houses the most massive collection of Sherman's various iterations to date, stretching back to her landmarkseries of nearly 70 black-and-white photographs, which challenged the conventional notions of how women are depicted on-screen. Of course, some of Sherman's change in front of the camera over the years has been inevitable—a fact that she also turned into
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