Driver plays a standup comic and Cotillard an opera singer whose love yields tragedy but also produces an extraordinarily gifted child in the French filmmaker’s movie musical, scored and conc…
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That prologue, foregrounding the artifice before diving into the story proper, signals that Carax is very much in command of a genre new to him but a logical extension of his freewheeling style. A gifted director whose sweeping romantic visions have encompassed ecstasy and anguish, he would seem in theory to be a natural fit for the movie musical, particularly one that’s a dark fairy tale about a man so consumed by love he ends up destroying it.
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