The singer-songwriter talks about the spiritual journey that led to The Returner and how she built community with artists like Brandi Carlile
. Last year, for six days during the week of the winter solstice, Henson Recording Studios in Los Angeles was her home base. Through its walls, she felt the creative buzz lingering from whenand Cyndi Lauper were there to record “We Are the World.
To me, it really represented hope that things are changing. Because it’s not like I became a different person, you know? It’s just that, for whatever reason, there was a critical mass of people who were more ready to hear art and writing shared by a queer, Black woman.
Peter One, the Beloved Ivory Coast Singer, Returns to Music With a New Album and a Fan in Jason Isbell I think the reason we can make a record in six days is because I cast the room very, very specifically. It’s not like, “Oh, I need to only play with women.” These 15 other women on this record are some of the most inspiring artists in the world to me. They’re all brilliant, multi-instrumentalists. They’re all brilliant singers. They’ve all been producers and writers and lead singers in their own right. It’s really a chosen family on this record.
None of us make music for accolades or awards. Of course, it’s an incredible, life-changing, career-changing gift when they come, but we don’t do it for that. But I realized I was wrong about what I thought the Grammys were. I used to think, “Oh, that’s not for me. That’s for superstars. It’s a closed club.
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