Andrea Arnold has refused to speak about her experience on Season 2 of BigLittleLies — her last major credit before her Cannes-premiering documentary Cow — despite subtly hinting that all was not kosher in post production
Asked how long she was editing on “Cow,” Arnold said there was “a lot of stopping and starting” because “we were trying to edit it at the same time I was editing ‘Big Little Lies,’ which was not happening,” the British director smirked. “It had five editors, ‘Big Little Lies.'”
Pressed whether reports of the discord in post production were accurate, Arnold replied, “I learned a great deal, that’s all I’m going to say.”Her documentary “Cow” premiered in Cannes on Thursday. The 90-minute film, shot in the director’s handheld style throughout, follows the life of a British dairy cow. Extremely intimate in style, dialogue in the movie is sparse and heard only among the workers at the farm.
Arnold — whose family had many pets, including a sheep, who were often unsupervised when she was growing up — said she made the film to reconnect with nature, which played a major part in her childhood but which she grew distant from after moving to the city as an adult.
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