In Pedro Almodóvar’s Pain and Glory, Banderas reminds us that there’s an actor of rare intellect and sensitivity beneath the widespread image of the winking heartthrob.
the movies, particularly onstage — he earned a Tony nomination for starring in a 2003 Broadway revival of the musical— and the small screen, where he played Mexican revolutionary Pancho Villa and fellow Málaga descendant Pablo Picasso in made-for-TV projects.
When Salvador reunites with Alberto Crespo , the washed-up leading man whose ongoing heroin addiction put an end to their partnership, Banderas plays their interactions with a relaxed geniality that deceives us into thinking that Salvador has forgiven his collaborator — until he roundly humiliates him with a too-honest answer during a phoned-in Q&A at a screening of the pair’s last film.
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