A new 'Love and Rockets' graphic novel reunites Maggie and Hopey — now solidly in middle age — at a punk concert
Comics artist Jaime Hernandez in his Pasadena studio. His new book “Is This How You See Me?” is a continuation of a story line that reaches back to the ’80s.
“It’s been a while with them together,” Jaime Hernandez says. “I was happily surprised the way some of the characters were going in the story. I was happily surprised that some of them surprised me.”It’s not likely to surprise readers of “Love and Rockets,” however, who have grown accustomed to Hernandez’s elegant ink drawings and incisive psychological deconstructions of human emotion, be it love or enmity, ecstasy or pain.
Recently, Hernandez took time to chat in his tidy — to the point of monastic — studio space in Pasadena. In this interview, condensed and edited for clarity, he discusses how he assembles his characters, why punk music is so vital to his narratives and what the movies get wrong about Latinos. I have to admit that with Hopey changing so much, it was hard writing her into this new story. I didn’t really like her. I thought, I don’t like her as a person. I don’t like what she’s doing.
I also really like the character of Daffy. She’s the one trying to keep the peace. She’s appeared a lot in the past. But here, I’m really happy she played a big role. I always liked the character, but she couldn’t compete with the other two — the big personalities.I guess I see me more in Maggie. Just her decisions, the heartbreak, falling in love, yearning for someone, wanting to get along when the world doesn’t want you to. Though she’s gone and left me, in a way. I’m doing her from afar now.
That’s how Maggie and Hopey came about. I’d go to these punk shows and I’d see women running the place and I loved their big mouths. They were doing something and they didn’t care. I wanted my Betty and Veronica, but with that mentality, with this real life kind of of thing going on. Gilbert and I were like, nobody’s doing this — let’s show the world that the world we come from isThat’s always the hardest thing to answer. They just are.
In a 2004 interview, you said there were parts of your work you weren’t sure would ever be accepted because “I don’t know if my culture will ever be accepted.” That was 15 years ago and ...
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