Among several fascinating tidbits shared with THR, Bernstein reveals the episode was able to use the original location of Saul Goodman’s office in 'Breaking Bad.'
, we were afraid his training would keep coming through and that he’d have to fight his every instinct to be this really coordinated, really lethal person. But he was great,” Bernstein tells, Bernstein also discussed Kim’s dwindling morality and her “shameful” behavior in regard to her former paralegal, Viola ., you’ve been regarded as the de facto showrunner if Vince Gilligan or Peter Gould aren’t on set.
The writer-director pairings behind each standout episode are often reteamed the following season. For example, you and Alison Tatlock made a phenomenal episode [“JMM”] together last season, and now you’ve reunited for this most recent episode, “Black and Blue.” Of course, you also helped hire Alison on. So how much strategy or calculation is actually involved in these pairings?
Thank you for the very kind words about the Tatstein-Bernlock collaboration. Yeah, there is absolutely some [strategy]. We want to keep our senior writers in the writers’ room as long as we can, so that often means putting their directing assignments later on. We have to be strategic about giving their episodes enough space so they can fulfill their on-set duties and their upcoming script duties.
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