Bradley Cooper's 'Maestro' Is a Beautiful Tribute to Leonard Bernstein

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Bradley Cooper's 'Maestro' Is a Beautiful Tribute to Leonard Bernstein
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Despite what you’ve heard from the Twitterati, Cooper’s film about Bernstein and his wife Felicia’s relationship is an absolute marvel

is never more thrillingly alive than when Cooper and Mulligan are bouncing off one another. Whether flirting or flinging insults, it’s music to the ears. And, thanks to these two fiercely committed performances, theirs feels like a love that, for all its flaws, is achingly real. It does not take long for Felicia to learn that Bernstein prefers the company of men, and Mulligan expertly captures Felicia’s long-simmering resentment.

And what of Cooper? Early on, Bernstein describes himself as “a composite” able to do and be many things at once, and the same applies to its star, who also co-wrote , produced , and directed this opus. Heck, that’s even him playing the piano. Cooper is not only a chameleon, fully embodying Bernstein and his restless genius whilst never striking a false note, but a truly gifted filmmaker.

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