“He’s a talker” is a phrase that has never been used to describe Brian Wilson, then — in the Beach Boys’ original 1960s heyday — or especially now. So director Brent Wilson might have been taking o…
might have been taking on one of the more quixotic filmmaking quests of all time when he set out to make a documentary that would consist primarily of pulling thoughts and memories out of one of the great musical geniuses of the past century, whose shyness with interviews and mental health struggles are well known. That such a movie — “” — not only exists but provides real windows into its subject’s inner world seems almost incalculable.
Brent asks Brian, “Do you remember when I did the first interview?” This was some years back, and by anyone’s account, it went famously… not well well. At that point, Brent was figuring he would conduct all the on-camera interviews for the film, a notion he was disabused of after a few sessions. “The very first time I interviewed you,” Brent says to Brian, “I sat over there [across the room] and you sat here at the piano. And it was rough,” Wilson laughs. “I was like, this isn’t going to work.
Brian has always let the music do almost all the talking, and so for the purposes of the film, he went into a studio with his band and re-recorded several old songs for the film just prior to his most recent back surgery in 2019. He also did a new, original song, “Right Where I Belong,” co-written and performed with My Morning Jacket’s.
Brian confirms that and, and is his way, succinctly boils it down. What was it in Carl’s song “Long Promised Road” that was so meaningful to him? He answers: “Love.”For the recording sessions and the soundtrack, “I didn’t want to make any suggestions,” Brent Wilson says, “but I remember you saying, ‘Let’s make a rock n’ roll album.
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