Burna Boy earned his flowers as he ripped through a majestic set at Madison Square Garden. He's the first Nigerian to headline the famed venue.
The only moment of relative stillness from the audience came as they intently took in a new song sampling Toni Braxton’s “He Wasn’t Man Enough for Me.” Burna performed the unreleased track after revealing that his next album would be calledand drop on his 31st birthday, July 2. Beyond that, the crowd at the Garden was in constant motion, their rows of bodies like waves in a dark ocean of predominantly Black diasporans.
In the pit, three young men moshed to his remix of Ghanaian rapper Black Sherif’s “Second Sermon,” cautiously throwing their bodies into each other without disturbing the folks around them. Deeper in the seats, a young woman in a hot-pink bandage-wrapped top had a spiritual response to “Way Too Big,” from Burna’s most recent album, the pandemic-produced.
The show reimagined Burna’s lengthy catalog, elevating already excellent songs. A brass section tore downstandout “On the Low.” Violins raised the stakes of “Location.” A saxophonist competed with Burna’s impassioned vocal runs as they wrapped up “Onyeka.” To “Ja Ara E,” a team of traditional African drummers surrounded his trusted background vocalist of five years, Christina Matovu, and they danced in unison from left to right as they performed.
Burna performed several collaborative songs solo — the remix of “Second Sermon,” the late Pop Smoke’s “Enjoy Yourself,” his newest record with Wizkid “Ballon D’or,” and his remix of Nigerian rapper Asake’s “Sungba” . In fact, other than a quick spoken introduction by Busta Rhymes, there was only one musical guest, one of his heroes, Senegalese legend Youssou N’Dour, who ushered in the show with his song “New Africa,” which was smartly translated onscreen.
Still, Burna Boy — whose team barred him from being asked political questions during the interview for his— is more rockstar than pundit. He smashed an acoustic guitar to bits, sprinted down his extensive runway, danced with bouncy knees and quick feet, and maintained absolutely pristine vocals throughout the entire performance. The energy, the joy, and the feeling of being seen was palpable in the Garden.
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