Kayla Boye’s solo show about Elizabeth Taylor is also a tribute to the late Chicago legend Hollis Resnik. | ✍️ JackHelbig
at Chicago Shakespeare. We would sit backstage together and bond over conversations, watching the rehearsal process unfold. She would point things out to me like, “You should take note of that. Watch how the director adjusted this, or watch how that actor took this note.” And just having someone look at me and say, “Let me show you. Let me teach you how much you can learn by really being active, even if you’re not the one rehearsing.” You can learn so much by watching others adjust their acting.
Due to health circumstances, Hollis unfortunately was not able to continue with the piece past the staged reading. She was incredibly generous during our time together, helping craft my voice and essence as Elizabeth.We were supposed to have its live world premiere in 2020, but of course, the pandemic happened. Because of the lockdown, I ended up filmingbecause I had received a grant from Illinois Arts Council through Arts Midwest.
She was incredibly generous during our time together, helping craft my voice and essence as Elizabeth. I wish I had the chance to show her how much the production and performance have grown since our initial work together. I felt her presence with me during the world premiere in Los Angeles, shortly after her passing; there are moments of loss within the play that presented opportunities for me to move through my personal grieving process. It was bizarre.
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