TIFF19 'Calm with Horses': Film Review
Douglas "Arm" Armstrong is a former pugilist so pummeled into submission by work and life that "downcast" has become his default mode. He's the kind of guy who seems like his sweat glands overcompensate because he's always holding back tears.
Arm does what he's told, especially whenever Paudi's egomaniacal nephew, Dymphna , who desperately wants his uncle's respect, demands it. Theirs is a virulently co-dependent relationship; it's obvious Arm could break the snot-nosed Dymphna in half if he had the mind to. But compliance seems the better choice, especially since Arm wants to ensure his ex Ursula and their 5-year-old autistic son Jack stay as safe as possible in what is increasingly proving to be a no-exit existence.
Despite the pervasive aura of despair, the dramatic stakes feel rather low and play out — particularly via the blood-soaked road-to-redemption climax — in the droningly soporific ways of many an indie. The part-Eno/part-Reznor electronic score by Blanck Mass additionally solidifies the sense that we're watching a depressive ambient album in motion.
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