Mostly, “Cats” is a confusing litter box of intentions, from its crushed-velour aesthetic to its strip-bar sensuality to its musical cluelessness, writes John Anderson
Dec. 19, 2019 5:22 pm ET
Ever since the trailer appeared last summer, the release of “Cats” has been anticipated the way one anticipates the opening of a can of Fancy Feast Classic Paté: Could the film really be quite so, well, aromatic? It takes some time for a solid payoff, but finally Jennifer Hudson’s tragic Grizabella launches into her reprise of “Memory,” with all the agonized, heroic, even operatic ornamentation the song has never warranted.
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