While the casting was not premeditated, Nolan said it represents the point that creating devastation 'will also destroy those who are near and dear to you'
director revealed that the casting decision was largely spontaneous. Flora—along with Nolan’s wife and-producer Emma Thomas—had come to spend a week on set when inspiration struck to cast his eldest daughter in a still-vacant roledescribes as “a nameless young woman who appears to the title character in a hellish, conscience-pricking vision, in which the flesh is flayed from her face by a piercing white light.
“We needed someone to do that small part of a somewhat experimental and spontaneous sequence... so it was wonderful to just have her sort of roll with it,” Nolan said.Peeping Tom ,” he said in the interview, referencing the 1960s thriller in which the director cast his young son as a childhood version of the film’s serial killer, and himself as the boy’s abusive father.
He continued: “Truthfully, I try not to analyse my own intentions. But the point is that if you create the ultimate destructive power it will also destroy those who are near and dear to you. So I suppose this was my way of expressing that in what, to me, were the strongest possible terms.”
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