Reteaming with Noah Baumbach on Marriage Story, following 2017’s The Meyerowitz Stories, cinematographer Robbie Ryan aimed to craft an aesthetic that was as simple and unfussy as possible. St…
Starring Scarlett Johansson and Adam Driver, Baumbach’s latest centers on Nicole and Charlie, a couple going through a bicoastal divorce who strive to keep their family together, even as their marriage comes apart at the seams.
: This one, I signed up for without reading the script. Noah had dates and said, “Are you around? Do you want to do this?” And I said, “Of course I do.” So, I didn’t get to read the script until signing up for it. When I read it, the first thing that stood out was the 13-page monologue from Scarlett Johansson and I’m going, “Oh my God. That’s a lot. Poor, old Scarlett.” [laughs] When you read Noah’s scripts, there’s always very little scene description.
DEADLINE: Could you elaborate on your approach to lighting and color palette? The melancholy orange and yellow hues in the subway scene with Adam and Scarlett were quite striking.: I’m kind of a firm believer of lighting the locations sort of as they are. So, for instance, the subway is the subway. We actually snuck on the subway to shoot that because it’s very, very expensive to shoot on the subway. So, we ran on there and just photographed it at like one o’clock in the morning.
DEADLINE: What was it like shooting the most intense fight scene between Charlie and Nicole? To my understanding, that scene was shot over the course of two days, with maybe 50 takes.: I don’t think that was 50 takes, but I think it’s close enough. It’s always between 30 and 50, so for those two to do that…It was myself, the grip and the boom operator in the room, and the three of us felt like we needed therapy after that scene.
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