Michael Mann's Collateral was the perfect combination of both halves of the prolific director's impressive career.
The Big Picture Michael Mann’s career can be split into two very distinctive halves. His first era showcased a refined and almost novelistic approach to storytelling, with sweeping stories about complex characters who felt like they’d been ripped from the page of a classic tome, all told with a level of technical finesse that transformed even the most mundane scene into an awe-inspiring moment.
Originally intended as a low-budget feature for HBO before finding its way to DreamWorks , Collateral marked the first time Mann embraced digital cinematography for an entire film , resulting in a radically different look than what audiences were accustomed to. Despite this, Mann still kept one foot in the stylings of his previous films, with a clear story told in an unobtrusive way.
Mann's Second Era Is Clearly Rooted In the 21st Century Similarly, it also gives the film a distinctly modern feel as though the passing of one century to the next had triggered a change in Mann’s perception of the world. With advances in technology fundamentally altering the nature of storytelling, it seems that Mann wanted to embrace rather than reject this change, coupling the 21st-century nature of Collateral’s story with the form that it is presented with.
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