Having premiered on Netflix Nov. 22, “Nobody’s Looking” marks the first collaboration between Gullane and Netflix – their second, “Boca a Boca” is in development- and comes from a long list o…
– their second, “Boca a Boca” is in development- and comes from a long list of new projects that the streaming giant has announced with it’s $87 Million investment in Brazilian content.
interviewed Rezende, already Oscar-nominated for his work editing “City of God,” who showruns and directs the series. One of the show’s strengths is how it plays with its concept, yet as it unfolds you tap into a theme that has been bubbling under in popular comedy for the last decade, a sort of Nietzschean understanding of the Death of God. Why do you think it’s now reappearing in popular media?
I always wanted a whistle for Uli’s theme. I also wanted to have that same melody adapted to different genres, and the Garbato brothers executed the idea perfectly. So, though the melody was originally joyful, they made new arrangements to make it sad, tense, and even sexy at times. I knew they had captured the essence of the show when they brought in a deep choir to make a darker version, but keeping the joyful whistle.
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