All the details from the 159-look Alta Moda collection Dolce & Gabbana held at Milan’s La Scala opera house.
Of the operas they chose to include, Gabbana said: “we knew them all before, but maybe in a more superficial way. But as we studied them closely we started to understand the drama in the music and how it could be translated into the movement of the fabric.” Domenico Dolce added: “[Working to] this music is very dangerous in a way, because it gives him one sensation and me another sensation. It creates emotion differently for everyone.
mid 19th century—Paris for, in which Violetta Valery strolled the boulevard in a huge skirted ivory dress strafed with stripes of blue silk and embroidered with thistles in golden thread and cut stones in emerald. Further on, we hopped to Aquileia in Northern Italy—and back 1,500 years—forto see the fearsomely hot, fur-cloaked Hun pitted against the sequin-armored tribune Foresto, the gold armored Roman Ezio, and his beloved, sheer beaded dress-wearing Odabella.
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