Brazil’s top pop provocateur dishes on working with Charli XCX, opposing Jair Bolsonaro and loving herself
is a trilingual celebration of the dance floor, a sonic U.N. meeting held in a club where English, Spanish and Portuguese entwine freely. The EP boasts two collaborations that couldn’t be better representations of Vittar’s sonic duality: opening track “Parabéns”, or Portuguese for “congratulations”, sees Bahia’shorns and bass.
,” she gets an assist from British avant pop force Charli XCX, who tears into a roiling verse about wearing vintage Versace and party-hopping in a bright pink car“Charli was an artist that I always loved,” she says of the hitmaker — who previously featured Vittar on herVittar nabs the closing verse of Charli’s deliciously weird standout track “Shake It,” alongside Big Freedia, Brooke Candy and CupcakKe.
This openness to surreal sounds, combined with an innate swagger and a transnational perspective, is precisely what makes Vittar an emblematic pop star of our time. A drag queen who first cut her teeth in North, where she grew up, Vittar binges on music from all parts of the world — she cites Spanish export Rosalía and Chile’s Tomasa del Real as her faves — and shouts out fellow Brazilians Baiana System and Attooxxa. Vittar is also a noted “Blink”, or, a stan of K-Pop heroines BLACKPINK.
“I love the way that music, dance choreography and image come together to create something extraordinary, and how they manage to take over the world [despite] speaking languages that most of us are not familiar with,” she muses. Vittar’s vital presence in pop music does not come without political undertones. In the last year alone,
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