'What We Do in the Shadows' costume designer, Laura Montgomery discusses the evolution of the costumes and characters in season 3 at Variety A Night With Artisans.
Costume designers comb through reams of fabric, scour the racks in thrift stores, and dig through bins in flea markets in search of just the right textures, styles and flourishes to help bring characters to life. For some productions, this work can be contemporary and with a limited cast. For others, it can mean hundreds of period costumes, thousands of pieces and years of preparation.
Wingate also found a lot of great resources online, which contributed to more than 1,500 costumes ranging from the 1960s to the ’90s and filming from New Orleans to Greece. She came to learn that an even more valuable resource than money was time. “Having the time to curate a look and get it perfect and having time with the actors to really explore the characters… It was a real gift.”” found budget constraints added extra pressure, but praised her team. “I’m only as good as the company I keep.
Paolo remembered, “The production manager kept calling me saying, ‘Why are you buying all that fabric from Paris?’ I was like, I think we’re gonna need all this gold fabric. Please believe me.” When they got the official word, she decided to “go for the gold.” Literally. “If you look at the original portraits of George and Charlotte, they’re covered in gold.”” particularly when it came to designing for vampire Nadja . In the Season 4 opener, Nadja returns to Staten Island from a season in the U.
As for clothing characters would wear in this world, they had to consider, “Anything after that was black market, it was 2003 or prior. It was also what would last through a pandemic — what would last on a person’s body, traveling across North America and having to go through all these horrible things, living out in the wild.”
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