Eternals Is Nobody’s Film

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Eternals Is Nobody’s Film
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'Despite the heft of Eternals, it’s marked by emptiness.' angelicabastien writes that Chloé Zhao’s MCU entry is stuffed to the gills with movie stars, yet it has no idea what to do with all that shine

Photo: Marvel Studios It was supposed to be different, wasn’t it, with its commitment to real locations and imagery not wedded to the artificial? Trailers teased as much — lush jungle, water cresting over gnarled rocks, sunsets peaking through outstretched hands. A reflection of the sensibilities director and co-writer Chloé Zhao developed in films like the evocative The Rider and far less evocative Nomadland.

You would think this an impossibility, given how effective and charismatic they’ve been elsewhere. But even the best actors among them seem to strain to find a way to stand out and add the touching foibles that make a superheroic character memorable. Perhaps most notably, and despite Nanjiani’s strenuous effort, the comedy in the film doesn’t suit any cast member’s distinct talents.

A star is a powerful tool in a director’s arsenal. They bring rich, complicated histories that can be subverted, played with, even alluded to in film. They can bend light, move their bodies in that exceptional way. But if they aren’t used properly, they become nothing more than marketing tools. Zhao and cinematographer Ben Davis’s camera understand that the actors are beautiful, but in a clinical way — the way you might admire a particularly lush red rose in a photograph.

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