By the brazenly esoteric standards of Argentine director Lisandro Alonso, his last feature “Jauja” was virtually a concession to the mainstream. A lushly shot 19th-century historical dr…
, it was — until a typically disorienting coda — close to linear in its colonialist-quest narrative, even as it moved in slow, ever-widening circles, and duly became Alonso’s most widely released film to date.
For its first 20-odd minutes, however, “Eureka” promises a very different film altogether: a larkish, even hokey sendup of “Jauja’s” neo-western undertones, made overt and gleefully high-kitsch.
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