ROME – The impending rollout of Disney Plus, HBO Max, and other new streaming services promises a new era of uncertainty—and opportunity—for broadcasters and producers in an industry already …
ROME – The impending rollout of Disney Plus, HBO Max, and other new streaming services promises a new era of uncertainty—and opportunity—for broadcasters and producers in an industry already disrupted by the likes of Netflix and Amazon. At a panel hosted by the European Producers Club Friday afternoon during the
As a case study in how European broadcasters could compete with global players by pooling their resources, Ammon drew on Sky’s experience with the landmark period drama “Babylon Berlin.” The co-production with German pubcaster ARD was an “unusual alliance,” said Ammon, but one that allowed Sky Germany to prove it could compete with high-end content coming out of the U.S.
Arguably the biggest challenge in this era of peak prestige television is finding enough top-shelf talent to produce premium content, a problem that broadcasters are trying to address in a range of ways. As global streaming services continue to grow into massive corporate entities, Skaf said broadcasters—though often perceived as more slow-moving and cautious than their streaming competitors—might paradoxically have a competitive advantage.
The executives highlighted the importance of strong creative partnerships between broadcasters and producers, with Triboit noting that when Orange Studio invests in a project, “we are taking the risk alongside you.”
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