As a filmmaker, Sean Penn has always had a flinty integrity, but the movies he directs work so hard to channel the values of ’70s films — they’re moody and fatalistic, with furrowed brows, an…
has always had a flinty integrity, but the movies he directs work so hard to channel the values of ’70s films — they’re moody and fatalistic, with furrowed brows, and move at a pace of drop-dead deliberation — that early on, in the days of “The Indian Runner” and “The Crossing Guard” , you could just about feel the sweat of his downbeat virtue.
“Flag Day,” set mostly in Minnesota, sprawls over the period from 1975 to 1992, and part of what’s compelling about it is that Penn has become an indelibly fluid craftsman who uses the leaps in time to infuse a story of devastation with lightness and curiosity.
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