In its now series finale, GossipGirl is messier than ever, but not in a good way. ddiannashen breaks down that explosive final episode:
is a show that only thrives when it embraces being messy. After a lackluster first season, the HBO Max reboot’s second installment has been a stark improvement, benefiting from the added layers of unserious chaos that have, for the briefest of moments, felt somewhat nostalgic of the original series.
Frustratingly enough, the characters that ended up suffering the most were Luna and Monet , who were once again overlooked and underutilized. Their roles were constantly limited to acting as Julien’s henchwomen, despite having previously interesting and even emotional arcs in earlier episodes. The first half of the season built Monet up to be the reboot’s necessary Blair Waldorf, yet confiscated that Queen Bee status as quickly as she established it.
Exposing Gossip Girl would probably be much more exciting if the show hadn’t literally told us her identity in the Pilot episode. It also makes it difficult to orchestrate a reveal that could possibly live up to the jaw-dropping standard of its predecessor. As much as we may hate on Dan being Gossip Girl in the original, the outrage following the reveal has fundamentally shifted the world of pop culture. I mean, people aredebating whether or not he makes sense.
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