Eight years after winning the best adapted screenplay Oscar for his first film 'The Imitation Game,' Moore steps behind the camera for a slow-burning mafia drama set in a 1950s Chicago tailor shop and starring Mark Rylance.
’s world premiere in Berlin on Monday, Moore discusses his late grandfather’s key role in the film, reflects on the legacy ofis a really interesting and different take on the usual mob drama. Where did the idea come from?
and working very closely with my friend Morten [Tyldum], and he said that being a director is all about putting your name behind every single decision. Candlesticks in the background, every acting choice, every cut – you have to be able to put your name on every decision and, even though you’re sometimes going to be right and wrong, you’re standing behind it.
I’ve published two novels and written a handful of scripts that never got made. Maybe they will at some point, but it’s just sort of the ups and downs of things. I feel like any film path to production is an odd and circuitous route. Even with, when we were getting ready to film, COVID broke out and we thought that would be the end of it. I would say that while it was so amazing to direct my first film, I’m really excited to direct a film not during a global pandemic.
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