Sometimes you learn about a collaboration in the making that sounds so promising, your first instinct is to completely dial down expectations, lest there be too much disappointment when the uncerta…
. Reznor’s a guy who hasn’t much lent himself out for studio-album work-for-hire since the days when Marilyn Manson was barely a gleam in a defense attorney’s eye. Better to steel for a letdown than hope that an album title like “If I Can’t Have Love, I Want Power” promised provocative fun.
It’s another case of “beauty and the beast” making for an effective teaming. Only, with due respect to the artist’s Renaissance-portrait-ready cover likeness, it’s really they, Halsey, and not they, Reznor and Ross, who is the beast here. It’s easy to imagine the producers cowering in the corner as a then-pregnant Halsey got her rage on in some of these songs.
Not to make the album sound completely like some weird amalgam of Taylor-Swift-meets-Ciive-Barker. There are plenty of moments strewn across it that are much prettier than doomier. The most out-of-body of these is a tender, acoustic, mid-point country-folk ballad, “Darling,” that is so finger-picky in its leanings, Reznor and Ross solicited the help of the most finger-pickiest of them all, Fleetwood Mac’s, to provide the sweet accompaniment.
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