History forgot these female composers. An L.A. music writer is helping us remember

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History forgot these female composers. An L.A. music writer is helping us remember
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“It’s about amplifying women,” the composer says. “It’s about wanting to be out loud myself, but it’s also about saying, ‘And here are my sisters. They didn’t get this opportunity.’”

American composer Anita Owen wrote her biggest hit song, “Sweet Bunch of Daisies,” in 1894. She was 20 at the time, a student at a convent outside Terre Haute, Ind.on female composers in the San Francisco Call, Owen self-published the song for less than $50. That investment paid off when the song became a hit, selling more than a million copies.

In what she calls a “small little act of course correction,” Karpman is premiering an overture Thursday night at the Hollywood Bowl that incorporates melodic snippets from patriotic songs by Owen and two other early 20th century American female composers, Mildred Hill and Emily Wood Bower.American,” features percussion instruments crafted out of kitchen tools like baking sheets and meat tenderizers, a nod to the domestic work that historically defined so many women’s lives.

Karpman often wears two pairs of glasses — a fashionable oversized pair on her face, and a colorful pair of reading glasses perched atop her head. It’s become a signature look, practical accessories that add to the sense that she is constantly in a state of creating, thinking or preparing to create.

That title served as a starting point for the composer, who says she often deals with themes of patriotism in her concert music.

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