13 years ago, Spillers was waning — but thanks to Ashli Todd’s intuition, it’s waxing again.
; sound recordings at the time came via wax cylinders or heavy discs made of hard rubber or shellac, and were mostly a cost-ineffective novelty.
Back in 2010, a physical music store was, simply put, a bad investment. Vinyl’s comeback seemed like a pipe dream maintained by an aging, niche demographic, and the vast majority of artists didn’t even bother putting out new releases on wax.
As Record Store Day and Third Man began stoking fervor for vinyl based on limited-edition pressings and products with a distinct visual aesthetic, she intuited that that Spillers’ future might not be as grim as her father – who oversaw the store during the big-money heyday of the ‘70s and ‘80s — feared.
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