Authors and editors are dealing with a new world.
Readers and community members responded negatively to the revelations aboutcover. But in the long term, it’s not clear if these tools will remain forbidden. Misrepresenting work as AI-free is one thing — but what happens if generative AI systems become more ingrained in the artistic process?
“There is a level at which computers have been making things easier in the arts for decades. Things are possible in Photoshop that weren’t possible before, and people are okay with that,” Fletcher says. “We’re in this awkward middle ground here, where people are coming down on both sides.”Whatever happens with AI-generated media in the future, for now, the industry’s dynamics may be about to change.
The indie SFF publishing community is small, and artists are largely hired through word of mouth — including, as with Fletcher and Snyder, seeing the work they’ve done for other authors. Now, the pair is in talks with a handful of well-known artists to take on the project instead. Fletcher says that going forward, authors will likely want to work with more established artists with a solid portfolio and happy clients who can attest to their work.
“The artist who’s just starting out, who hasn’t done a book cover before, is going to be under some vicious scrutiny,” he says. “It’s going to be hard to land those first gigs, I suspect.”
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