How An Out-Of-The-Blue Experience On ‘Apocalypse Now’ Led ‘Catch-22’ Supervising Sound Editor Jerry Ross To His Craft — Production Value Video Series

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How An Out-Of-The-Blue Experience On ‘Apocalypse Now’ Led ‘Catch-22’ Supervising Sound Editor Jerry Ross To His Craft — Production Value Video Series
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How an out-of-the-blue experience on ‘Apocalypse Now’ led Catch22 supervising sound editor Jerry Ross to his craft | The ProductionValue video series is presented by HBO

, the sound editor worked predominantly in features up until 2010, when he signed on toAfter earning his first three Emmy nominations with his work on that AMC zombie series, Ross returned to television, with Luke Davies and David Michôd’s zany comedy.

With these recordings taken, Ross’s biggest challenge with the series had to do with ‘flak,’ “the aerial explosions that are going off around these planes at all times,” he says. “Creating this thing of pieces of metal flying, dopplerizing by us, and bombs that would hit near us, but kind of fly by,” Ross balanced all this with bomber interior sounds, along with music and different layers of dialogue.

Grateful for the opportunity to continue to practice the craft he stumbled into so long ago, Ross compares sound editing to painting. “We get to throw up some colors and paint,” he says, “and what’s really satisfying is, you feel like you’ve added something to the effectiveness of how a scene, and how the movie or show plays, by just bringing that sense of sensitivity to it.”

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