How Kelsey Lu found her tribe among L.A.'s black art scene

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How Kelsey Lu found her tribe among L.A.'s black art scene
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How this classically-trained cellist found her tribe among L.A.'s black art scene, from makedaeaster:

. And, in April, she released her first full-length album, “Blood,” through Columbia Records, home to superstar acts including Beyoncé and Adele.

“Then when you went to art school / Breaking hearts and all the rules / You met the man of your dreams / To society, he was unconventional / But you didn’t mind being outside.” Scarred by a karaoke session gone awry , Lu sang in secret while continuing her training in classical music. When she announced her plans to sing instead of playing cello for a high school talent show audition, her mother laughed.

It was there that she found artistic freedom during late night sessions in empty practice rooms. “I started improvising over music that I liked,” she said. “And then I started collaborating with dancers and mixing music with other forms of art.” In between touring, she moved to New York in 2012, taking her cello, an iPhone and not much else. She began making songs on Garageband — her first, “Monster,” was created with empty wine bottles, cardboard ridges and the gentle meow of her sister’s kitten. She learned to use a loop pedal, a tool that gave her the power to layer her songs and perform live with her cello.By the time Lu moved to L.A., she had honed her identity as an artist.

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