From OnceUponaTimeinHollywood to TheTwoPopes, go inside how production designer got creative in reconstructing iconic places for films
Andrew Cooper; Netflix; Glen Wilson/Warner Bros. Ent.Courtesy of Sony Pictures
"Quentin loves to immerse everyone into the time frame of the picture," says production designer Barbara Ling, who helped create Tarantino’s 1969-set Hollywood story with as muchas possible. For the scenes in Westwood Village, "a key area in 1969 for anyone living from Hollywood to the beach," the team replaced the Fox Theatre marquee and used period poster boxes.
This story first appeared in the Nov. 13 issue of The Hollywood Reporter magazine. To receive the magazine,
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