Your regular field guide to the world of movies in your living room and beyond.
The ongoing saga of the future of the Golden Globe awards perhaps began a new chapter this week as the Hollywood Foreign Press Assn. voted for new bylaws intended to revamp the organization and restore its damaged credibility.“It’s not just they have passed,” said one entertainment publicist. “We have to see the bylaws, they have to be made public and they have to be meaningful, and there has to be a full accounting of what exactly they are doing and who exactly is doing it.
If you are anything like me, the last few weeks have in part been about waiting for Sunday night’s new episodes of HBO’s “The White Lotus.” We don’t often talk about TV here, but since the show was created, written and directed by Mike White, filmmaker of the movies “Brad’s Status” and “Year of the Dog” and screenwriter of, among others, “Beatriz at Dinner,” “The Good Girl” and “School of Rock,” we will make an exception.
“I don’t usually have dead bodies in my show,” White said. “But I was like, ‘Give the people what they want: here’s your dead body!’ And I do think it helped stoke this sense of ‘What’s going to happen?’ So that there’s a little more blood in the mouth than a ‘California Suite.’”since March of 2020, as we present a screening of the mind-bending thriller “The Night House.” The Q&A with actress Rebecca Hall and director David Bruckner was pre-taped and will show after the film.
as an alternately tender and monstrous actor — ‘Annette’ is interested in how both artifice and authenticity save and terrorize us. Specifically, Sparks’ screenplay explores how a man’s own confusion about what is real and what he’s made up can quickly turn from generative artistry to relentless abuse.”wrote, “‘Annette’ is not just a musical, it is also a soapy melodrama incorporating elements of the supernatural .
is a full-on musical, with some 40 songs. Many are fragments, and only two are truly memorable, but that’s enough. When the actors aren’t singing, they are speaking as actors speak in musicals— with instrumentation pulsing beneath their voices and a delivery halfway between speech and song. The moments when the music drops away, leaving the actors’ voices stripped naked, are few but devastating.
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