Part 2 of our interview with Janus Rasmussen is now out, and so is his ‘Vín - Remixes’ album! Go take a read and a listen 🎶 musicinterview janusrasmussen electronicmusic
So when you’re producing other artists, with all their different genres and styles, does that affect your own music?
That music is still really exciting to me because I grew up with a Rock & Roll background and so it’s still really natural to create music that way. I always want to go back to producing that music because I always learn something new which really helps me reflect on my own work. Haha well probably all of those things, that’s the eternal struggle of making music, sometimes you’re successful and sometimes you fail miserably!One song I return to a lot is ‘14’, it has such a song-like structure and it feels as if there could almost be a vocal on it sometimes. I love the sampled percussion on it too, like you’re dropping drumsticks or something?
Usually, songs tend to sound bigger the fewer channels they have, because then those few elements that are there can really shine.Thank you! I ended up designing it myself. I was actually gonna say that I’m really proud of that bass sound, it’s a combination between a Roland Juno 60 and the Operator plug-in in Ableton, so the sub frequencies are coming from the Operator plug-in and then the top pluck/click is from the Juno 60.
I am really proud of some of the sounds I got with the Juno 60 though and some of the songs on the record like December have this super bell-like self-oscillating filter sound that’s super clean and then I would use the pitch bend exactly as I triggered the note so it does this descending pitch and then I put that into a Roland Space Echo with a long feedback tail and then reverse it all in Ableton.
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