Jann Wenner's Rock Hall is crumbling — is it worth fixing?

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Jann Wenner's Rock Hall is crumbling — is it worth fixing?
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Rolling Stone co-founder Jann Wenner was removed from the Rock & Roll Hall of Fame's board after sexist and racist comments. But he is, and always has been, an avatar for an exclusionary framework.

."If so few Black artists, so few women of colour, are being inducted, then the voting process needs to be overhauled. Music is a lifeforce that is constantly evolving — and they can't keep up."

To build a Hall with only superiority as the defining principle is to misrepresent what art is for. It is something that makes sense for sports, which are defined by quantifiable metrics like wins and statistics, but not for music, which is incalculable.

If its goal truly has been to canonize a genreless sound that moves youth culture, the Rock Hall has resoundingly failed. Its considerations of R&B, country, pop and hip-hop have always felt warped. What's more, beyond its marked inability to define rock's relationship to other genres, the Rock Hall has done very little to make them feel at home and not like outliers. Nevertheless, it positions itself as a holistic institution that should be regarded as sacred.

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