Zazie Beetz is opening up about shooting that startling apartment scene in Joker
. "Joaquin and Todd were so playful in figuring it out and trying new things. Because they shot so quickly, we were able to fit more in and say, 'Let’s throw in a new scene. Let’s try it this way; let’s try it that way.' So, to find her in this iteration being partially a fantasy, we didn’t really talk much about the second viewing, but I feel like she’s a fruition of all these different versions we tested out and put the hats on of, before landing on this.
Since Joaquin’s reputation precedes him, is a chemistry read with Joaquin markedly more intimidating than one with Ryan Reynolds or Donald Glover? Yeah, I do. I find when I am in a scene, I really try to not spectate because that means that I’m also not in the scene, and I’m thinking rather than reacting, listening and just being my character and responding to the person across from me. But, I would say that I definitely go into an observation place in between takes, when prepping for things and when discussing process and how to approach building a character.
Did you and Todd actually talk about rewarding the second viewing since the reveal would now be in the viewer’s mind? Yes, it was a development as we were doing it. I think we had shot some stuff, and then there were a couple of times where Todd called me and said, “We might shift it in this way.” It was sort of this slow shift, actually. So, I wouldn’t say that it was necessarily from one moment to the next where we were like, “There’s a fantasy element.
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