Early in “Jolt,” a relentlessly busy and cacophonously noisy action film that often comes across as a Kmart version of “Black Widow,” Lindy, the violently inclined protagonist played by genre vet K…
), her all-purpose psychiatrist, physician and life coach, rigs up a way for her to cool her volcanic temper tantrums by jolting herself with an experimental electrode device. If this shock therapy works, he tells her, she can achieve something like normalcy, and even attempt social interactions like blind dating. Trouble is, shortly after Lindy finally meets Mr. Right, an affable accountant named Justin who also qualifies as Mr. Big, police report his brutal murder.
Once again displaying the kinetic grace, authoritative physicality and heavy-duty footwear that have made her a cult favorite for fans of the “Underworld” franchise, Beckinsale is fun to watch in both the real and fantasy fight sequences that take up much of the briskly paced “Jolt.
As the two disapproving homicide cops who never manage to deter Lindy from her extralegal investigation, Bobby Cannavale is as sweetly teddy-bearish here as he was in the recent “Superintelligence,” while Laverne Cox supplies industrial-grade surliness as his by-the-book partner. Not incidentally, Cox and Beckinsale are perfectly matched during a seriocomic standoff in a hospital nursery filled with more babies than Chow Yun-Fat protected in John Woo’s “Hard Boiled.
Susan Sarandon provides expository voice-over in the opening minutes of “Jolt,” but doesn’t show up on-screen until the final moments, when she fleetingly appears as a mysterious figure identified in the end credits as Woman With No Name. Her only reason for being here — well, aside from picking up an easy paycheck — is to open the door for a string of sequels. Beckinsale, it should be noted, doesn’t appear overly enthused by this prospect.
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