“one of the quickest songs I’ve ever written,” as well as easy, since she had source material that it had to speak to—there was no chance of being paralyzed by the blank page on which anything could h
appen. The song manages to completely transcend the largely forgotten movie for which it was written. Via its litany of regrets and its ambivalence toward the thrill and the hurting of rummaging through old memories, Bush was able to tap into a universality that Hughes simply could not. The crystalline second verse are, to my ears, the most gorgeous four bars Bush ever wrote or sang.
The whoosh of the tastefully placed orchestral accents, the G force the song leaves as it hurtles to a close of furious desperation, it’s all so enormous for a weepy little song about a fictional man whose wife is having a difficult childbirth. Many people consider this their favorite Kate Bush song, and on many, many days I totally see where they are coming from.
But the reference that cast the biggest shadow, both in terms of the album’s theme and the headache it gave Bush, was Molly Bloom’s ecstatic monologue in James Joyce’s. Bush initially wrote “The Sensual World” using lines from the passage in which Bloom enthuses about pleasure, including sex. When she asked permission to use Joyce’s words, though, the dead author’s estate turned her down.
,” after at last securing the Joyce estate’s permission. I’d argue, though, that the original version, “The Sensual World,” is more ingenious for managing to reference Molly without copying her and applying a postmodern interpretation of how the character would react to the physical world when “stepping off of the page.
Over and over in promo interviews of the era, she talked about feeling more comfortable than ever to explore her womanhood in her music. Bush had been sexualized in the press for her appearance, and continued to be duringera, as well as after. “When I started in this business, I felt very at home in my body,” she. “And it was very scary for me those next few years, because whatever I wore, whatever I did, people were putting this incredible emphasis of sexuality on me, which I didn’t feel.
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