“Jean-Raymond told reporters backstage that he doesn’t care if he sells any clothes. Well, okay, he wants to stay free in his head. But the talent and ideas on his engaging runway deserve a wider presence in the world,” CathyHoryn reviews NYFW
Photo: Imaxtree. Illustration: Lauren Tamaki Ninety minutes before last night’s Pyer Moss show at the historic Kings Theatre in Flatbush, Brooklyn, the line swept down the block, and at ten, well after the scheduled start, there were more than 2,000 people outside. Finally, around 10:30, things got going. A choir of some 60 strong filed in, dominating the massive stage, and a small band, dressed in white, settled into the pit framed by a low runway.
Pyer Moss Photo: Getty Images Initially, I didn’t care for those styles. The instrument details seemed hokey, first degree. And maybe because I’ve seen a ton of rock-inspired clothes over the years, I expected Jean-Raymond to dig a little deeper.Jean-Raymond was attempting to consider rock at its absolute infancy and from the perspective of a woman who probably crafted her own outfits — without guidelines.
He is also quick to point out that he’s “not the race guy,” though many of his shows have focused on African-American culture and communities and how they are often stereotyped. He said, “I’m just open to think about the things that inspire me.” Pyer Moss Photo: Getty Images Still, Jean-Raymond may owe it to himself and his team to get serious about the business side. I’m not saying he isn’t serious; he seems to have a good partnership with Reebok, and he developed some cool leather pieces with Sean Combs, for whom Jean-Raymond once interned. One of my favorite looks in the show was a pair of wide, generously side-draped pants in what looked like washed denim, shown with red spiky boots and a white tank top that said “Vote or Die.
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