They also talk about the intense training and how the extreme action film is unlike anything previously seen in Indian cinema.
The Big Picture To promote his bloody thriller, aptly titled KILL, Indian writer and filmmaker Nikhil Nagesh Bhat stopped by Collider’s studio in the Cinema Center by MARBL at this year’s Toronto International Film Festival for an exclusive interview with Editor-in-chief Steve Weintraub. Joining Bhat were the movie’s hero and antagonist, Lakshya and Raghav Juyal to talk about bringing genre films to Indian cinema and premiering at Midnight Madness.
[Laughs] The thing about this, though, is I've seen a decent amount of Indian cinema, not a ton, and I've never seen a film like this out of India. Was it tough for you to make to get this made? It's really bloody, it's very violent, and it's not something that typically comes out of India. LAKSHYA: I mean, as a child growing up, I've only watched action movies, all kinds of action films, and I wanted to be a part of such a project. When it came my way, I was all for it. I was like, “There's no chance I'm letting this go, no matter what people are gonna say.” It came to me through my producer, the guy I was doing a film with. I was doing a film with them already, it came through them, so I trusted him, and he's also my mentor.
Unless you're a big film fan. For both of you, this had to have been a very daunting and challenging shoot because of the physicality and how much you had to do in a very limited space. Talk a little bit about the challenges as an actor to deliver performance while doing action while you’re in very tight quarters pretty much the whole time.
JUYAL: Generally, what happens when you're well-prepped—for me, I'm talking about my personal experience—when you're well-prepped, I tend to just forget before I go to the set. If I'm well-prepped, I forget what I learned. So that way, while doing in the moment, the element of surprise is there for me, and I get discoveries. I can discover new things on the set in the train, during my scenes.
BHAT: So my editor is a brilliant editor. The process is that once I've finished the shoot, I will not enter the edit room until the first edit’s done because I feel the editor is a filmmaker on his own. So I want him to have his take, have a go on the film from his side, and see what he can bring in. To be honest, there was a huge change that he brought in. Earlier, we were entering the train pretty late. He just threw things out, and we entered the train precisely in the sixth minute.
JUYAL: I would go with my girlfriend to watch this film because I'm really scared of these types of films. I'm scared. I want to go with my girlfriend, you know? BHAT: So there is a reason to it. Actually, there's a serious reason to it. I feel blood is a symbol of ambition, greed, and sacrifice. So in the film, there is somebody's ambition and greed, and then there is a sacrifice. – a lot of people are getting sacrificed because of that ambition and greed. So, as you go towards the end of the film, you'll see that the blood has increased, the flow of blood has increased.
Everything came through yesterday when I was watching the film. The way people reacted. Oh god, it was something that I've never felt in my life. I had somebody sitting on my left, I had somebody sitting on my right, there was a guy sitting right behind me – the way they reacted, “One more time! One more time! Go for it one more time! We want part two!” That reaction made it all so real for me. It was so overwhelming, as he said.
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