At times an investigative mystery, at moments a romantic tale, and consistently a story about crime, this is Scorsese coming to terms with his own morality.
From left, Leonardo DiCaprio as Ernest Burkhart, Lily Gladstone as Molly bookending his latest historical epic with a pair of appearances — the first being a direct thank you to the audience and the last being an in-film cameo — he’s distinctly coming to terms with his mortality as his film documents the ruthless yet systematic genocidal takedown of the then-wealthy, as the latter struggles to balance his love for Molly and the biddings of a henchman who happens to be his rich uncle, William...
But this is a film about greed, a motif consistent throughout Scorsese’s catalog. While Jordan Belfort’s greed represented an industry in “,” a singular man’s greed in “Killers of the Flower Moon” represents a country born on the principle that it can be stolen if you’re barbarous enough. Scorsese’s critique oncreated Hell on Earth for the Osage Nation for viewers to witness, only for this moment in time to be erased by a coat of white paint.
“Killer of the Flower Moon” is a haunting triumph as Scorsese attempts to create an everlasting film for the sixth straight decade., fans are invited to join friends, teachers, and former classmates of Gladstone for a reserved screening of the film, which will be shown Friday at theThe Mountlake Terrace premiere was spearheaded by Kimberly Nelson, a retired Mountlake Terrace High School teacher who also helped with the school’s drama department and remembers Gladstone fondly.
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