Keaton, in every scene, blends execution with humanity.
There’s a powerful sense of unstated sadness at the core of his performance: regret for the life he’s losing, but also for the life he already lost — the life with his ex-wife and son that he could have had.
“Knox Goes Away” is an absorbing entertainment, but part of the reason it’s such a good movie about dementia is that so much of it isn’t about dementia. We’re plugged into the finesse of Knox’s plan, the brain power that put it together. It’s our moviegoing pleasure centers that don’t want to see that slip away.
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