The artist Lee Ufan has pushed the boundaries of painting and sculpture. Now a flurry of major solo exhibitions honor the man of steel
On a chilly spring morning, Lee Ufan is climbing up and around a quarry on the eastern end of Long Island looking for boulders. The site is a village-size pit of sand and soil, ringed with piles of white stones of varying sizes. Lee, a sculptor, painter and philosopher, has traveled from Manhattan by car.
He arrived ready to work, dressed in black jeans, a dark blue jacket and a corduroy shirt of autumnal gold. He is trim and fit—about 5 foot 8 with shaggy silver hair—and he moves quickly through the landscape. He doesn’t speak much, mostly keeping to hand gestures. From time to time, he refers to his drawings, sketches...
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