Now that “Game of Thrones” has finally reached its conclusion, releasing its gifted international ensemble into the casting wilds, will Hollywood remember just what it has in Carice van…
Perhaps van Houten just responds best to the care of a confident provocateur. It’s apt that her strongest big-screen showcase since “Black Book” is the kind of hot, confrontational psychodrama you can imagine Verhoeven himself dreaming up, albeit with a frank view of gendered desire and power play that clearly establishes a woman’s perspective behind the camera.
Newly hired at a high-rise correctional facility in a nondescript patch of Dutch suburbia, Nicoline arrives with a brisk, professional demeanor: She’s not really out to make friends, though a strictly carnal dalliance with handsome colleague Alex defeats her better judgment. Charged with assessing the suitability of long-term inmates for parole, she clashes almost immediately with fellow staff members over the case of Idris , who has served five years on multiple rape charges.
For Nicoline regards her repulsed attraction to Idris as a kind of case study in itself, almost goading him into pursuing her, which brings up nervy questions of consent, culpability and compliance.
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