Death to Videodrome! Long live the new flesh!
as a bizarre conduit for expressing his anxieties regarding a future where life behind the screen would be more validated than the one in front of it.
In 2020, where does the new flesh go from here? We may be primed to become like O’Blivion, our alternative digital self existing long after our old flesh is dead and buried, our loved ones continuing their relationships with us through skewed versions, through identities we’ve chosen rather than through representations of our true, messed-up selves. Then again, according to Cronenberg, we may not have a choice.
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